This is the finished painting… painted in oils on a 16″ x 12″ wooden panel.
I rarely do commissions these days. It’s a personal choice that I have wrestled with many times over the years. Basically I know enough about myself as an artist now to know how I tick and commissions make me tick alot, they cause me a great deal of stress and basically no pleasure from beginning to end. It is with a great deal of relief when the customer likes and wants the commission and I can finally ship it and get it out of my head.
That’s for the World Cup – my painting giveaway why I did it, how I did it and would I do it again….
Giveaways are a big part of marketing. As an artist we are constantly under pressure to donate artwork, prints etc, offer discounts, free shipping and so on. It’s something that I have always avoided for two main reasons. Firstly I simply can’t afford it, I don’t earn enough from my artwork at this time to support myself and secondly I always think it devalues the artwork that my other collectors have paid full price for.
This is Pete, he’s a donkey that lives in a field that I walk past with my dog. He’s in a field with horses and what strikes me about Pete is that he is always so alert and curious about who is walking by. The horses rarely look up or express any interest in anything going on but Pete always does
This is new for me on two fronts, firstly it is the largest painting I have done and it’s the first donkey I have also painted – in fact the first horse of any type. A little daunted I decided to keep trusting my style and method and see where I ended up. Quite well actually, it is a beautiful painting.
Meet Romeo, he’s one of a number of bluetits, long-tailed tits & great tits that visit the garden each day. I had already completed a charcoal sketch of him to see how he would look without really noticing the little bit of menace in his eyes. I don’t quite know how I managed to miss that. Anyway I certainly spotted it when I was painting him.
Bluetits have always been an issue for me when it comes to representing them in art. Whilst I love drawing probably above all else, the colour is quite an issue. Another recent bluetit I drew in charcoal I resisted the urge to put any colours in and that was a successful drawing, beautifully rendered with the charcoal as I knew it would. In the past however I have drawn them and then been tempted to add a little bit of colour. But which bit of colour? Do you go for the blue cap and ignore the yellow, or the darker blue / green of the wing? Then you end up with a coloured drawing rather than a drawing with a dash of colour. This time I went full out and painted him and I’m so glad that I did. The blue and yellow of bluetits are the most peaceful, calm colours that nature can provide. I spent far too long simply moving the paint around the board.
My latest bird art painting is called ‘Mindfulness’. I called it that because I was touched by the present moment that the swan is just about to enter the mist. Everything is about that moment.
I wanted to keep it very warm and not sinister so retained a palette of pinky grey as my main colour throughout the painting. This was achieved by mixing french ultramarine with Alizarin crimson to create a purple and then adding some indian yellow. That created a warm grey, pink was added to create the pink tone and then varied from light to dark of the same mix.
Here are some progress shots:
The piece has been framed in my favourite type of dark wooden rustic frame…
I am entering ‘Mindfulness’ into exhibitions throughout the year. In the meantime it can be bought directly from my shop by clicking here or the image below.