This is Pete, he’s a donkey that lives in a field that I walk past with my dog. He’s in a field with horses and what strikes me about Pete is that he is always so alert and curious about who is walking by. The horses rarely look up or express any interest in anything going on but Pete always does
This is new for me on two fronts, firstly it is the largest painting I have done and it’s the first donkey I have also painted – in fact the first horse of any type. A little daunted I decided to keep trusting my style and method and see where I ended up. Quite well actually, it is a beautiful painting.
Meet Romeo, he’s one of a number of bluetits, long-tailed tits & great tits that visit the garden each day. I had already completed a charcoal sketch of him to see how he would look without really noticing the little bit of menace in his eyes. I don’t quite know how I managed to miss that. Anyway I certainly spotted it when I was painting him.
Bluetits have always been an issue for me when it comes to representing them in art. Whilst I love drawing probably above all else, the colour is quite an issue. Another recent bluetit I drew in charcoal I resisted the urge to put any colours in and that was a successful drawing, beautifully rendered with the charcoal as I knew it would. In the past however I have drawn them and then been tempted to add a little bit of colour. But which bit of colour? Do you go for the blue cap and ignore the yellow, or the darker blue / green of the wing? Then you end up with a coloured drawing rather than a drawing with a dash of colour. This time I went full out and painted him and I’m so glad that I did. The blue and yellow of bluetits are the most peaceful, calm colours that nature can provide. I spent far too long simply moving the paint around the board.
My latest bird art painting is called ‘Mindfulness’. I called it that because I was touched by the present moment that the swan is just about to enter the mist. Everything is about that moment.
I wanted to keep it very warm and not sinister so retained a palette of pinky grey as my main colour throughout the painting. This was achieved by mixing french ultramarine with Alizarin crimson to create a purple and then adding some indian yellow. That created a warm grey, pink was added to create the pink tone and then varied from light to dark of the same mix.
Here are some progress shots:
The piece has been framed in my favourite type of dark wooden rustic frame…
I am entering ‘Mindfulness’ into exhibitions throughout the year. In the meantime it can be bought directly from my shop by clicking here or the image below.
After promising to give myself the day off on Monday following my art fair I ended up working to complete a pencil pug drawing that I started at the fair. It’s great to draw when you’re at an art fair, customers love to see you working and talk about techniques.
Here’s a sneaky photo that I took at the fair, I loved it and hope to paint it one day..
So ‘That Pug Look’ was completed on Wednesday, he is only 6 x 6″ wide and framed in a 7×7″ frame. If you’re interested in purchasing him or viewing my other artwork and commissions click here to follow the link to my website or click on the finished drawing of That Pug Look.
That Pug Look
Before I get on with my next commission I am carrying on with trialling oil painting. This time I have chosen a composition that I feel I can work with better. Being a shorter haired dog , a dalmatian means I can focus on the tones rather than the fine fur detail. The photo is by kind permission of someone from Dalmatians UK facebook page.
The pose is perfect and the light is being cast from above to the right. The only tricky thing is the constant whites.