My drawing of Eoin Morgan batting in the blast for Middlesex came as a result of wanting to produce another pastel cricket drawing. I love working in pastel from time to time but not all the time. There are restrictions that prevent me from working with them all the time. Firstly the mess, pastels are very dusty, the dust gets everywhere even my dog Charlie doesn’t like being in the studo when I’m using pastels and secondly colour matching is tricky, with oil paint I can mix up any colour I want but with pastels I’m restricted to the colours I have. Yes, I could buy even more pastels but since I only use them occasionally it doesn’t seem worth it.Continue reading
This is the finished painting… painted in oils on a 16″ x 12″ wooden panel.
I rarely do commissions these days. It’s a personal choice that I have wrestled with many times over the years. Basically I know enough about myself as an artist now to know how I tick and commissions make me tick alot, they cause me a great deal of stress and basically no pleasure from beginning to end. It is with a great deal of relief when the customer likes and wants the commission and I can finally ship it and get it out of my head.Continue reading
That’s for the World Cup – my painting giveaway why I did it, how I did it and would I do it again….
Giveaways are a big part of marketing. As an artist we are constantly under pressure to donate artwork, prints etc, offer discounts, free shipping and so on. It’s something that I have always avoided for two main reasons. Firstly I simply can’t afford it, I don’t earn enough from my artwork at this time to support myself and secondly I always think it devalues the artwork that my other collectors have paid full price for.Continue reading
Meet Romeo, he’s one of a number of bluetits, long-tailed tits & great tits that visit the garden each day. I had already completed a charcoal sketch of him to see how he would look without really noticing the little bit of menace in his eyes. I don’t quite know how I managed to miss that. Anyway I certainly spotted it when I was painting him.
Bluetits have always been an issue for me when it comes to representing them in art. Whilst I love drawing probably above all else, the colour is quite an issue. Another recent bluetit I drew in charcoal I resisted the urge to put any colours in and that was a successful drawing, beautifully rendered with the charcoal as I knew it would. In the past however I have drawn them and then been tempted to add a little bit of colour. But which bit of colour? Do you go for the blue cap and ignore the yellow, or the darker blue / green of the wing? Then you end up with a coloured drawing rather than a drawing with a dash of colour. This time I went full out and painted him and I’m so glad that I did. The blue and yellow of bluetits are the most peaceful, calm colours that nature can provide. I spent far too long simply moving the paint around the board.Continue reading
Drawn in pastel this drawing has taken me about 6 weeks to complete. I haven’t drawn it from dawn to dusk each day but worked on it most days.
The particular leaf in question literally landed at my feet back in the Autumn when I was sat on the back patio, a small seating area at the bottom of my garden. Back then it was a wonderful coppery colour with a twist in its body that immediately twitched my drawing hand.
I don’t know what it is about twisted things, I have always assumed that it is because it presents a greater challenge – and oh boy do I like a challenge. I am hoping that it isn’t representative of some twisted part of my personality.Continue reading
My latest bird art is a painting. Carrying on with the alla prima style I wanted to see how it would respond to a bird painting……Continue reading
Meet Little Joe, he’s a bluetit that comes regularly to my garden and the feeders. Like most bluetits he’s always moving, darting in and out, never still. When he’s on one feeder he’s always looking to the next one, full of life and energy.Continue reading
My latest study is two magpie feathers. I love magpies and I particularly love their feathers. I have collected quite a few over that last few years so I’ve decided to number them as I feel there will be more ‘Two for Joy’ coming up.
For this pair I found the feather on the left first. I nearly left it as it was on its own. I loved the stark contrast of the block of white but knew it didn’t match any of the feathers I have. It’s quite short so I am guessing that it is from their wing feathers. Luckily I kept it and decided to hold onto it until I found a matching feather. Continue reading
I have battled with portrait drawing since I can’t remember. Despite drawing portraits pretty much every day, I still get it badly wrong more times than I get it right.
I don’t have any particular ambitions to be a portrait artist, there are too many artists that are so much better than I could hope to be whom I admire and am in awe of pretty much permanently. However, being able to competently draw portraits helps me in all areas of my art. My cricket and sports drawings will be so much easier if I didn’t spend days sweating over the faces and indeed any animal or bird drawing will be helped no end by increased portrait drawing skills.
I strongly believe that since portrait drawing is the hardest thing to master, there are those that will disagree, but I seriously believe that, then everything else should therefore be easier as a result of an increased skill in this area.
Right? Continue reading
Welcome to my cricket drawing ‘The Blast’ .
This was a bit of an impromptu drawing that ended up really well. I was watching and enjoying this years Blast T20 final at Edgbaston between Sussex and Worcester. Worcester went on to win the game but this is Sussex’s Luke Wright hitting a big six.
Rarely do I draw cricket art in colour but the colour and the razzmatazz of the competition lead to colour being on the cards.
The progress of my pastel drawings lately have been to prime gaterboard with pastel primer and an acrylic colour. This time a golden colour. It allows for the golden colour to light up the whole scene as the layers go on top. I then take a darker pastel ground and paint an underpainting of the main figure. This provides some depth to the batsman.
Once the under painting is dry I build up the colour totally focusing on complementary colours to provide harmony to the piece. It is not the same representing movement in pastel as it is in charcoal. The method I have found most effective is as painting movement and that is to let the pastel strokes go through the neighbouring colour which provides a more impressionistic piece.
The original piece is with Luke himself. Here’s a shot of him holding the original….
I have set up a run of 50 limited prints available from my website…..Click here to visit or on the image below